Italian Vogue is warm because of Steven Meisel’s shot of controversial Gulf disaster-inspired imagery.
“Is it ballsy fashion reporting rooted in realism or just a sick glamorization?” says New York magazine’s The Cut.
“The satire of using clothes worth thousands of dollars fly halfway around the the human race is not lost, if this isn’t art, we don’t know what is,” comment Styleite.
“Instead of being stimulated emotionally, the only measures that seem right to this unsuitable spread are a wrinkle of the nose and a undulating of the eyes,” stated Jezebel.
The ecofriendly gulf-linked fashion accessory was even cite as proof that Italian Vogue has good intentions.
Italian Vogue is the slightest commercial of all edition of this magazine but the Italian version has be the top magazine causal to Milan’s power in fashion. “Its imagery is regularly shocking and provocative,” according to the art manager of British Vogue.
The photographer of this issue, Steven Meisel, is as well the photographer of July 2008’s characteristic using black model. This made Conde Nast publication, for the first time, reprint a publication to meet demands. Meisel’s September 2006 “State of Emergency” plus his July 2007 “Rehab” are as well recent influential editorials.
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